The Gods Must Be Crazy
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Kung Pao: Enter the Fist
I've never seen sooo many people walk out of a theater before.
One of my favorite! I quote it near daily. (Also, it's Kung Pow: Enter the Fist)
I can't purchase any nuts without saying/thinking "that's a lot of nuts!" to this day.
I say "we trained him wrong as a joke" any time a coworker fucks something up.
I just watched Zardoz with Sean Connery last night. I'm pretty sure it got a mainstream release back in 1974. My buddy described it as "an acid-trip."

The strangest was Flow (2024), a Latvian animation film about a cat trying to survive during an apocalypse.
There's not a single line of dialog in the whole movie, since there are no humans.
I watched it 3 times. Seriously, go check it out, it's absolutely awesome.
Splice. It was a surprise screening, we didn't know what movie we were watching and none knew about it before hand.
At some point when they hybrid starts seducing the main character the girl beside me as just "what the fuck is going on with this movie??"
As a movie I don't revving l recommend, but the experience was great.
Kinda the same, 2/3 the way through I’m just like “so he wants to fuck it? The hell?”
Movie then fell apart…
Freddy Got Fingered, my mom took me. OMG.
Tom greene was millennial tiktok.
Dude invented a whole genre of comedy.
See, I liked Southland Tales, too.
But, for me, and I've seen some pretty strange theatre releases:
Baise-Moi (2000): It was banned, for glaringly obvious reasons. But, the theatre got an injunction and we went to one of the only showings.
Happiness (1998): Todd Solondz makes everything awkward.
The Cell (2000): Tarsem's Jennifer Lopez starring sci-fi mind trip.
House of 1000 Corpses: Rob Zombie. I'm not a horror-movie person, yet, somehow, I saw this.
하녀 (The Housemaid, 2010): one of the wildest endings I have ever witnessed. Bar none.
Irreversible (2002): My first film by Gaspar Nöe.
Akira Kurosawa's Dreams (1990): This is what happens when you can make literally whatever you want. And, you're one of Japan's greatest filmmakers.
The Secret Life of Walter Mitty (Ben Stiller version) 2013. It is also my favorite movie. It is strange because the whole movie or most of it is his imagination.
Have you ever read the original story?
2001: A space Odyssey.
Probably the weirdest mainstream movie I’ve seen. It was bloody awful, too. Perhaps it’s not fair, because I watched it on an airplane, because apparently some people like it. It’s an absolute trip, about 5 lines of dialogue in the whole thing and about 90 minutes of content that should have stayed on the cutting room floor.
I’m sure there’s other movies that are weird (and many that are bad) that I’ve seen but this one sticks in my memory.
Perhaps it’s not fair, because I watched it on an airplane
I genuinely can't think of a worse movie to try and watch on an airplane.
Snakes on a Plane? Alive?
Along this thread, Flight.
My partner will never forgive me for showing her the inversion scene a week before we had 13 h of flying to do to get home from one of the Gulf States.
See, to me, "thems fightin' words."
Well... Not actually. More, like, I'll plead a case.
2001: A Space Odyssey (1968!) will always be one of my favourite film experiences because it is epic AND subtle. Arrival (2016) comes close, as do Her (2013) and Advantageous (2009).
It spans eons, megaparsecs, and bends the concept of reality itself. Meanwhile, it's also two guys on a ship with a talking computer. Some neat camera tricks and big scale sets. Some very creative storytelling and a reminder that we're sophisticated monkeys compared to a, potentially, cosmic-level intelligence.
Imagine Bezos or Musk digging up a 4 billion year old alien data center on the moon — one that pointed to Jupiter. What would follow would be, exactly, 2001. Everyone involved in a slipshod attempt to fly to Jupiter would die. Everyone. The AI would kill them all.
Also, note: the sheer impact a single secret has on an Artificial Intelligence system. And to top it off, a single, poorly told lie.
This film made me love film.
For me, the movie is a prime example that, just because something is a classic, that doesn't mean it is universally enjoyable. It left me with an overwhelming sense of "what did I just watch?" And not in a good way
It's made to be artsy more than it's made to be entertaining. I think that's what makes it a polarizing film.
Those bits that should have "stayed on the cutting room floor" are all shot and framed in a spectacularly consistent and artistically pleasing way. If you're the type that enjoys video essays on blocking, you probably love 2001. If not, it's likely not your movie.
The look of the film is amazing. However, even as someone who loves sci-fi, it's way too long. I know, it's slow on purpose. It makes you feel more like you're there. However, fuck that. I can waste my time in a lot more enjoyable ways.
I feel the same about the original Blade Runner. It had an incredible impact on the look of a sci-fi dystopia, especially Cyberpunk, but man is it slow. Do Androids Dream of Electric Sheep, the inspiration, treads most of the same ground, and even has things that aren't included in the movie, in the format of a short story. BR is drawn out just to be drawn out.
I appreciate what these movies did, and the messages they are trying to tell. I think they're very flawed though, with particular emphasis on them being long but not doing anything with that time. I don't want action sequences or anything. I just don't want to sit around effectively watching people do nothing.
I've made a concerted effort to watch 2001: A Space Odyssey two or three times and I have yet to successfully make it through the entire opening scene let alone the entire move.
The Greasy Strangler
Did you like it? Someone suggested it and I've been meaning to watch it but haven't gotten to it yet
Upstream Color. I was so hyped for the 2nd feature from the director of Primer, that I went to a premiere with Shane doing a QnA at the end. Despite him talking about it, I have no idea what the movie was about, and I have yet to figure it out. It was more like an experimental film student thesis than a movie.
Bubba Ho-Tep is the winner for me. Elvis, still alive and kicking in a retirement home, needs to team up with JFK (who the CIA dyed black) to stop an Egyptian mummy that is eating the souls of the elderly.
I knew exactly what I was in for, and I had an absolute blast. I took my father with me, and his response was, "What the hell did I just watch?"
Still wish we'd actually gotten the prequel Bubba Nosferatu: Curse of the She-Vampires.
Strangest has to be The Quiet Earth. I don't remember what exactly caught my attention years ago when I downloaded and watched it
Napoleon Dynamite. The first time I watched it, I came out of the theater wanting my money back. By the third, I was hoping there would be a sequel.
Fantastic Planet.
Ever since watching that, I immediately think everything I watch/play that is super weird must be French. And a lot of the time, that ends up being true. 🤣
Asteroid City.
WTH was that even?
If you haven't seen this movie... Run! Save yourself!
The first two that come to mind are Titane and Moebius.
I went into them both mostly blind and loved them both! If you like dark and strange movies, I would strongly recommend them.
Edit: I just remembered the Takashi Miike films Gozu, Visitor Q, and The Happiness of the Katakuris which I believe all had brief theater stints.
I got dragged to the theatre to see the second Twilight film, and that was fucking bizarre

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