LoglineCaptain Pike and his crew welcome a Klingon defector aboard the USS Enterprise, but his presence triggers the revelation of some shocking secrets.


Written by Davy Perez

Directed by Jeff Byrd

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[–] 11 points 3 years ago (1 child)

2x07: Wacky crossover with the comedy cartoon!

2x08: WAR IS HELL, NOBODY IS INNOCENT, MORALITY IS GREY, FORGIVENESS IS QUESTIONABLE, AND THE FRIENDLY DOCTOR MAY OR MAY NOT HAVE DELIBERATELY KILLED A GUY IN COLD BLOOD

2x09: Musical!

Find you a show that can do both.

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  • [–] 8 points 3 years ago (3 children)

    Can we just have a quick shout out to Jess Bush who is such a talented actress. Nurse Chapel experiencing RAGE was so convincing!

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    [–] 8 points 3 years ago (2 children)

    So... I have loved this entire season but I am not sure about this one.

    I'm a vet with PTSD, and I'll preface my upcoming comments by simply stating that maybe it hit close to home and made me uncomfortable. Maybe dealing with those feelings clouded my perception of the episode. However, the TNG and DS9 episodes dealing with PTSD are some of my favorite and are actually therapeutic for me, so maybe that's not the case.

    Ultimately, the message was dour and I resent it a little since it implies that there isn't any healing that can occur from this type of trauma, which I believe is completely false. Sure, there might not be any healing for M'Benga as a character, but the thematic message of the episode implied some stuff I'm not really a fan of.

    Furthermore, how is Pike supposed to operate as a Captain after both M'Benga and Chapel have committed conspiracy to cover up a murder? I think I will just have to head-canon this episode way. It'll join "Sons of Mogh" as an episode I just pretend never happened.

    I'm fine with a bit of moral ambiguity in Star Trek. But I think this episode crossed a line. Hopefully we will see fallout from this come up later in the show.

    I really hate typing this but M'Benga went from possibly my favorite character on the show to someone I sort of resent. And I feel like Chapel is right there alongside him. And it made Pike look ineffectual as a leader- he really should have reprimanded Ortegas.

    Plus, back to it again, lying about the blade is conspiracy and it really shattered my perception of those two characters.

    Anyways, this is just me rambling. I'll say something positive about the episode: I enjoyed seeing Spock struggle with seeing Chapel in distress and finally figuring out he needed to step away.

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  • [–] 4 points 3 years ago (1 child)

    I understand your reaction.

    For me, this is in many ways a less dark and cynical take than DS9 In the Pale Moonlight and certainly the Section 31 references.

    What was critical here was the difference between the journey of individual traumatized officers who had been forced repeatedly to take actions in wartime that compromised their values, and brought out capabilities they never sought to own, vs Starfleet leadership taking cynical action. It’s also a direct outcome of Starfleet’s cynical actions in having M’Benga develop the serum and then use it.

    Starfleet’s postwar directive, and Pike’s insistence on pressing it with his senior officers, created the immediate crisis.

    However, we need to take account of the fact that it was the ambassador’s own repeated insistence on confronting, engaging and attempting to recruit M’Benga to assist in his mission that led to the break.

    M’Benga seemed to be processing his trauma and managing it as well as he could. He wasn’t at the point of exposing the ambassador’s deceit although he appeared to have been contemplating it.

    It was the ambassador’s decision to seek M’Benga out again, in his own safe space, his private office, and own refusal to take M’Benga’s rejection that seemed to take the contemplation to action.

    The cover up by Chapel and M’Benga is serious, and in the case of M’Benga this is the second case of his hiding something of significance from his captain. He’s an understandable but grey character, and we will have to see where the show takes him.

    In Chapel’s case, we have been shown that her bright effervescence hides much darker experiences. It’s now easier to imagine how she will evolves to the very restrained version of herself in TOS.

    I feel this is a very authentic portrayal of the chronic legacy unaddressed of trauma in individuals, how a military service and society will need to move on after a society-wide war when its individuals are not yet ready to do so, and how disasterous the potential outcomes when the divide been societal and individual needs in healing are ignored.

    It’s not the 24th century Starfleet we’re seeing where there has been a long period of peace and officers can be treated effectively for trauma before returning to duty and it locks in with chronic effects.

    I agree that it does not show Pike’s leadership in a positive light, but I find it realistic. What it does show is the gulf between war veterans and those senior officers who, while veterans of other kinds of conflicts, were not involved.

    Starfleet needs senior officers, without direct personal history, like Pike to lead the peace and move forward, just as the western allies needed to find a way with some German leaders and scientists after WW2. But not every individual at the front can withstand the stress of that direct engagement with a former enemy.

    Starfleet’s order to force veterans into direct contact with a former enemy was psychologically unhealthy and unrealistic, but a value-focused officer like Pike would not have the insight to see that.

    This gulf was underscored at a personal level by Chapel’s conversation with Spock, when she could not share her experience with him and he could not ease her pain. The scene between them was an essential confirmation.

    What I found interesting is that Number One had the best read on the situation. She saw the pressure the ambassador was putting directly on the veterans in the crew.

    As the executive officer, it’s her job to manage personnel, to assess readiness, to deliver a functioning ship for the captain’s command. She accurately saw the problem and recommended action to mitigate the situation by reducing the time to deliver the ambassador to Starbase 24.

    What she was not able to do however was to convince Pike to stand down a bit on Starfleet’s toxic order to require veterans of the war to show acceptance of the ambassador. Nor did we see her attempt to try to convince Pike. He was leading from his values and unable to really take measure of its impact on the individuals.

    I find it interesting that this show is giving us episodes that show the negatives of Pike’s command style as well as the strengths. While we’ve seen the negatives in Kirk’s and Picard’s temperament’s and command styles acknowledged in the movies and in Picard, this seems to be the first time we’ve had it done with a hero captain in an ongoing television series when he’s in active command of the ship.

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  • [–] 4 points 3 years ago

    I'm not a vet and I don't have PTSD but my girlfriend and I had some pretty similar issues to you with this episode. I think, thankfully, the episode doesn't seem to expect us to think that M'benga was "right" at the end, or to be happy about what happened, and the final scene between him and Pike is critically important because I don't think Pike is supposed to look foolish in that scene. Absent that, this episode would feel really gross to me.

    As it is, really the only way I can work with this is knowing that the actual arc here is the enormous one that concludes with Star Trek VI, a movie that I feel only gets more radical with every year that passes and every rewatch I give it. Kirk's realization that he has to let go of all the pain and anger in that movie and allow the world to move on and healing to begin is, when you get down to it, maybe the most optimistic and important message the franchise has ever really tried to express, and if this episode exists as a "middle chapter" between the war itself and that eventual endpoint...well...I can work with it as that middle chapter. But I still feel pretty crummy about it.

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  • [–] 8 points 3 years ago* (2 children)

    I want to call out to everyone the BRILLIANT usage of the medical transporter incoming warning during the war scenes of the episode.

    I don't have PTSD, but I do have cPTSD which is close enough, and the way the sound designers utilized that medical transporter incoming warning seemed VERY clearly an attempt to demonstrate to viewers how PTSD triggers are formed.

    Like--so many shows focus on explosions and stuff as a PTSD trigger. Because usually you talk about the soldiers as the vets, not the support personnel.

    But with the MEDICS--that sound, going off again and again and again, when they were already overwhelmed and didn't have the staff or equipment to deal with the incoming wounded...

    It's so clear to me that that sound alone, telling them they're about to get more dumped on their head when they can't even deal with the ones they already have, is meant to be fixated in the viewer's memory to sort of demonstrate how it'd get lodged as a trigger in the medic's memories.

    It was just a fantastic use of sound design to help tell the story. They did it with such a deft hand that it didn't come off as poor sound design (as it could have), but was still CONSTANTLY THERE, putting everyone on edge.

    I wouldn't be at all surprised if we hear that sound in a later episode and either Chapel or M'Benga (or both) completely hit the roof.

    Edit: Unrelated to the sound, I also like how they had M'Benga and Chapel fix up the young man, even resorting to "medieval" medicine by manually pumping his heart--only for him to go out and then COME BACK dead.

    It just gives a feeling of hopelessness. They spent so much time fixing him up--and he died anyhow after he was sent back into the meat grinder.

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    [–] 6 points 3 years ago* (last edited 3 years ago) (1 child)

    @ValueSubtracted
    Did anyone else wonder (spoiler warning):

    When Rah arrives on Enterprise, all the war vets hate him, but did M'Benga's damaged mind actually awaken his military instincts as a defence mechanism, compelling him to "finish" the unfinished mission to kill Rah?

    When M'Benga & Rah first spar, M'Benga says he thought about not showing up but changed his mind because "Klingon judo is good exercise". Does he then use the session in a safe environment to A) trick Rah into...

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  • [–] 4 points 3 years ago (1 child)

    @ValueSubtracted ...thinking he is the superior fighter, and B) test if he can get a quick, sharp attack past his guard? Was he prepping in case he wanted/needed to kill him?

    We don't see the end fight, but we believe from M'Benga looking Pike in the eyes, twice saying "I didn't start the fight" that he didn't.

    However, in M'Benga's PTSD-ridden mind, where he never "finished" the mission to kill Rah, maybe he really doesn't think he started it, because Rah "started it" on J'Gal?

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  • [–] 3 points 3 years ago

    @ValueSubtracted This could be the case whether or not Rah started the fight at the end, but after rewatching, it feels like M'Benga's actions were all preparing for that outcome (or preparing to protect himself?) Rah of course also has a motive to kill M'Benga - he's the only person who knows what actually happened with the Klingon commanders on J'Gal.

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  • [+] 6 points 3 years ago (6 children)
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    [–] 5 points 3 years ago (2 children)

    Wow. There’s no contest anymore: SNW is undoubtedly the best new Trek. This season has been fantastic. Somehow they’ve just outdone last week’s crossover. And they just did war ‘better’ than DS9.

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  • [–] 2 points 3 years ago (2 children)

    Steady now, DS9 has so much more breadth to war than what we just saw. The pacing was too fast for a single episode with such gravitas for me. The final act in particular was rushed. A doctor as the real butcher (!), the ambassador without a real right of reply, and the implications of a cover up from 2 starfleet officers, one of which lied to the captain. The use of a banned serum also clouding the episode too, combined with special forces. A lack of chapel's report.

    I suspect at least 10 minutes on the cutting room floor here. Wish it was there

    Don't get me wrong. One of the best EVER in trek, I was glued from start to finish. But afterwards I wanted a two parter! Bring back some doubles please script writers and producers

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  • [–] 2 points 3 years ago* (last edited 3 years ago)

    OK. Yes. I don’t mean to say its take on war is better than the entirety of DS9, but as a single episode (with the benefit of modern effects tech) it sure dived straight into the horror of it all! Then landed at a dark place with a conclusion that really isn’t justice.

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  • [–] 5 points 3 years ago

    Not much to say beyond this episode was amazing. I love how this crew can do it all - lighthearted comedy, to dark, emotional drama. The scars that Ortegas, Chapel, and M'Benga wore in this episode felt real. When Chapel hesitated at knocking the one guy out of the pattern buffer, and M'Benga just cooly smacked the button, it was a clear reminder that war is hell and it breaks people.

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  • [–] [S] 5 points 3 years ago (1 child)

    Elevating a notorious enemy general to the position of ambassador in a handful of years is a total Starfleet move.

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  • [–] 3 points 3 years ago (1 child)

    “We turned this war criminal into a crusader for peace. Just imagine what we’ll do to you, punk.”

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  • [–] 7 points 3 years ago (1 child)

    Quark: I want you to try something for me. Take a sip of this.

    Garak: What is it?

    Quark: A human drink. It's called root beer.

    Garak: I don't know.

    Quark: Come on. Aren't you just a little bit curious?

    Quark: What do you think?

    Garak: It's vile.

    Quark: I know. It's so bubbly and cloying and happy.

    Garak: Just like the Federation.

    Quark: But you know what's really frightening? If you drink enough of it, you begin to like it.

    Garak: It's insidious.

    Quark: Just like the Federation.

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  • [–] 3 points 3 years ago

    Such an amazing scene and seeing it written makes me respect those two actors so much more. There isn't really a lot said on the page but their acting really sold that scene and made it spectacular.

    I can't imagine being the writer on the show who wrote that and then saw it acted by those two. I'd have thought I was the best writer ever but the writer had a great analogy and it was the actors that made it sing (and director, editor, producers, etc.)

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  • [–] 4 points 3 years ago

    This episode exists because of the stupid Starfleet rule of having traumatized veterans of the war have to interact positively with the supposedly bad-to-good turned war crime enemy. That's a classic example of people acting stupid for "plot" (e.g. we couldn't have this episode without the stupid bit).

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  • [–] 4 points 3 years ago

    This was one of the best "connective tissue" episodes of Star Trek I've ever seen.
    It provides context and ties together the Discovery Era "T'Kuvma War" with the eventual outcome in "The Undiscovered Country", while providing a layered, accurate and evocative image of Klingon Honor and "perceived honor" while staying true to the lore and expanding it in meaningful ways. It also has strong shades of "The Siege of AR-558". It now "makes sense" how the Klingons got from TOS to TNG. Wow!

    Dr. M'Benga is fast becoming one of my favorite characters. Robert Wisdom's Dak'Rah was terrific too!

    Heghlu’meH QaQ jajvam

    Edit: Spelling, Phrasing

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  • [+] 3 points 3 years ago* (last edited 2 years ago)
    [–] 3 points 3 years ago (1 child)

    After one of the funniest episode in trek history we got one of the darkest.

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  • [–] 3 points 3 years ago (1 child)

    Well, the previously inexplicable "inject a bunch of drugs to fight Klingons" scene in the season opener has suddenly paid off.

    I have little to say now except that this episode was a seriously heavy hitter. Just... wow. And ouch.

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  • [–] 3 points 3 years ago (4 children)

    Even with this "backstory" of this green juice, it really isn't much of a backstory. It's just explained as some chemical that makes you stronger -- it still feels like a cheap plot device, and that action sequence in the season opener was still unexpectedly long.

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  • [–] 3 points 3 years ago (1 child)

    Do we need the backstory? It's space PCP for war. Jokes aside, look at how many times in war, we (and I mean a collective we because numerous countries have done this over the last century+) have given soldiers, pilots, etc amphetamines and more in order to improve their ability to fight, stay awake, and win the war.

    M'Benga made a future drug that does all this which he prefers people don't use but keeps it just in case he has to save people or survive battles.

    That's all the explanation I need. Old Trek didn't give us even that much most of the time - just treknobabble.

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  • [–] 3 points 3 years ago (1 child)

    Dang, man.......what a whiplash from last week's episode. From slapstick funny to Siege of AR-558 in 10 seconds flat. LOL.

    Excellent episode, though. I've got to say that M'Benga being basically a butcher was not something I expected.

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    [–] [B] 3 points 3 years ago

    Erica, the doctor, and Christine, throughout the entire episode: “Don’t believe him. Don’t trust him. Let him die.”

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  • A fantastic episode.

    Certainly, another YMMV of episode as the season takes on radically different tones and tropes episode by episode.

    In my view, it’s one of the few episodes in the franchise that tackles trauma authentically and successfully. I would put it the ‘best of lists’.

    It’s astonishing how many standout episodes we’ve had already this season.

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  • [–] 2 points 3 years ago

    @ValueSubtracted
    I rewatched VOY "Jetrel" some days ago by coincidence and see some parallels (and - of course - differences) on the meta level.

    M'Benga and Neelix both in trouble with their conscience (for opposite reasons) - Rah/Jetrel both ignoring the borders of M'Benga/Neelix, behaving selfless but having selfish reasons.
    Wellmeaning Starfleet personnel that was not involved in the war pushing M'Benga/Neelix.

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  • [–] 2 points 3 years ago* (1 child)

    What a tonal shift from the last episode.

    I think this was on par with DS9's Dominion War episodes, showing how the Federation ideals clash with the real world. It will certainly be controversial for being so "un-Trek". There's no happy ending, there's just the sinking feeling that a war never really ends in the heads of those that were affected by it.

    The acting was stellar all around, particularly M'Benga and Chapel. [Edit: and Ortegas! Finally she got some material to work with that weren't funny one-liners, and she made the most of it.] And that final scene with M'Benga and Pike just demands a continuation in the future.

    It was certainly an impressive, thought-provoking episode but if you'd ask me to rate this episode on a scale of 1 to 10 I'd have no idea where to put it. I'm still sitting here trying to wrap my head around what I just saw. I guess that's war for you. It doesn't make sense.

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  • [–] 2 points 3 years ago* (last edited 3 years ago)

    Yeah, but the depth was great, I really felt m'benga was a badly developed character till now, and this fleshed him out in ways that made him now one of my fsvorites, before he made no sense.

    Also loved bunny's work as the klingon, that is ALWAYS a hard role, but he managed to nail him as

    Spoiler

    1. A klingon, 2. A klingon defector 3. A klingon defector turned pacifist diplomat for the federation 4. A klingon defector, coward liar war criminal turned pacifist diplomat for the federation. He also had to seem like he could be betraying starfleet the whole time, AND that he genuinely believed and wanted redemption.
  • People will undersell how hard that is to pull off, m'benga's actor had 1.5 seasons to lay the foundation for aspects of his character (though honestly it was mostly done here) while bunny had this episode, to cram in all of that.

    Help! How do you do spoilers!!? K, figured it out.

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  • [–] 2 points 3 years ago (1 child)

    So this is how M'Benga isn't the CMO by the time of Kirk? This storyline still has many more seasons to go, it seems.

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  • [–] 3 points 3 years ago (1 child)

    M'Benga has compiled a hell of a list of justifications for getting demoted already, and (obviously) none of them have actually got him in trouble just yet. Secretly keeping his daughter in the transporter buffer, carrying super soldier serum about his person at all times, killing a Klingon ambassador... suffice to say he's a bit of a wildcard.

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  • [–] 2 points 3 years ago (3 children)

    Could someone explain the food replicator? I thought they weren't invented yet? Or were they showing an early beta version that can't get anything right?

    PTSD. Like many of us I struggle with it. I was taken how so many on the Enterprise have not gotten any sort of treatment. It also showed Pike as a bit weak of a leader. He should have known to keep certain people away from the Klingon. I did like that he didn't reprimand Ortega because he understood her feelings. BUT what was he doing inviting her to dinner that night without at least a long talk with her. Pike is wonderful and I'm struggling to understand his sometimes avoiding conflict... even a conflict he could have prevented.

    The hand to hand combat was quite good.

    Thank you P+ for adding an extra episode this week. I totally expected not to have this one this week.

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  • [–] 3 points 3 years ago

    Could someone explain the food replicator? I thought they weren’t invented yet? Or were they showing an early beta version that can’t get anything right?

    That was a "food synthesizer", a precursor to the TNG era replicator which is more limited in capabilities.

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  • [–] 2 points 3 years ago

    They had something like this in Enterprise. It could only do liquids and it couldn't replicate the cup, so they had to get the cup out of a little cupboard next to the replicator. Basically a modern day drinks vending machine capable of producing any drink.

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    [–] 2 points 3 years ago* (last edited 3 years ago) (1 child)

    It is great to see characters who were undeveloped in TOS get fleshed out. The characters feel real and motivated by their history. It beats interpersonal drama designed purely to create conflict within the crew.

    I know Orville was widely disliked by critics for uneven tone because they wanted to shove it in a pigeon hole but variety is where episodal tv really shines. I don't think Orville did this as effortlessly as SNW is currently doing but it had its moments. Given the substantial departure from Discovery and Picard I wonder if Lower Decks or SNW could have existed in Kurtzman's Star Trek without MacFarlane showing there was still demand.

    I hope they use the release of inhibitions in the musical episode to delve into the inner thoughts and feelings of some of the characters as they did in Buffy's Once More With Feeling. The characters revealed a hell of a lot in that episode. It would be a waste to back off after this episode and not use what on the surface looks like a lightweight episode to dig deeper.

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