Inaccurate meme - the white and red RCAs in composite typically don't actually carry the left and right channels - usually, the white one is L+R, meaning both the left and right channels combined into one, and the red one is L-R, the difference between the right and left channels.

This is done so that a mono television, which will only have a yellow and white port, will still be able to hear both audio channels, as opposed to having to completely miss out on one of them

Transcription:
Audio Right + Composite Video
Composite Video
Audio Right + Audio Left

Pretty sure Van Gogh wasn't deaf in that ear though.

gamerz like me:

laughs in european

I present to you: the Scart.

Our gaming consoles came with it.

We were clueless the first time we hooked up our N64 at gran-gran, since the old TV did not have a Scart connector, but we figured out that the Scart’s colored cables go in there.

This is actually a pretty helpful diagram for when I inevitably forget which color does what

Not even the SCART kids get it.

VGA was so much better.

The composite video output commonly seen on 1980s microcomputers couldn't display high-resolution text without severe distortion making the text unreadable. This could be seen on the IBM PCjr, for example, where the digital RGB display it came with could display 80×25 text mode just fine, but if you connected a composite video display (i.e. a TV) instead, 80×25 text was a blurry, illegible mess. The digital video output was severely limited in color depth, however; it could display only a fixed palette of 16 colors, whereas the distortion in the composite video could be used to create many more colors, albeit at very low resolution.

Then along came the VGA video signal format. This was a bit of a peculiarity: analog RGB video. Unlike digital RGB of the time, it was not limited in color depth, and could represent an image with 24-bit color, no problem. Unlike composite video, it had separate signal lines for each primary color, so any color within the gamut was equally representable, and it had enough bandwidth on each of those lines to cleanly transmit a 640×480 image at 60Hz with pretty much perfect fidelity.

However, someone at IBM was apparently a bit of a perfectionist, as a VGA cable is capable of carrying an image of up to 2048×1536 resolution at 85Hz, or at lower resolutions, refresh rates of 100Hz or more, all with 24-bit color depth—far beyond what the original VGA graphics chips and associated IBM 85xx-series displays could handle.

Also, the VGA cable system bundled every signal line into a single cable and connector, so no more figuring out which cable plugs in where, and it being so future-proof meant that, for pretty much the entire '90s, you could buy any old computer display and plug it into any old computer and it would just work.

Pretty impressive for an analog video signal/cable/connector designed in 1987.

I remember Christmas day getting a ps1 pulling out the cables and realizing that my tv didn't have the right ports and had to wait a couple of days to play it since the stores where closed and I couldn't buy one of those cables that connected to where the cable tv goes . Then getting stuck at the first section of tomb raider 2 for the next couple of days ...

This is RCA. Wasn’t composite early HD with RBG-RW?

Channel 03 gang represent!

I have no clue...

Panel 4: Hellen Keller / Empty Square