[–] 5 points 8 months ago

I’m also learning French right now. I took Spanish in high school, which helped a lot with understanding Romance languages and the basics of learning another language. I’ve found that learning vocabulary French is fairly similar, but listening and understanding is so much more difficult because it’s so much less phonetic than other languages.

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  • [–] 104 points 10 months ago (4 children)

    Screen grab from the final scene of The Mist (2007).

    Tap for spoilerThe father in the driver seat shoots everybody else in the car as an act of mercy to save them from a certain death by the monsters in the movie. Goes to turn the gun on himself only to be met with an empty chamber. Mere moments later, military vehicles emerge from the mist to take on the monsters. If he had waited legitimately 2 more minutes everybody in the car would have been saved.

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  • [–] 109 points 2 years ago

    The thing about marriage is that anybody can do it. You don’t have to love somebody to marry them. It isn’t special. There’s no test you have to take together or qualifications you have to meet.

    So yeah - he’s angry, and lonely, and he’s also married, but none of those things are related to each other.

    Sounds like he needs therapy, but in our society men aren’t encouraged to share emotions if it doesn’t perpetuate an image of strength. So he’s expressing his emotions in a “socially acceptable” way: anger. Which is probably what also got him into these backwards ideas about his political ideology as well.

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  • [–] 5 points 2 years ago

    Should be the same across any instance.

    Hot: calculated using the current score (up/down votes) in combination with how new it is.

    https://github.com/LemmyNet/lemmy/blob/main/migrations/2023-10-23-184941_hot_rank_greatest_fix/up.sql

    Active: calculated using current score in combination with the timestamp of the newest comment:

    https://github.com/LemmyNet/lemmy/blob/main/crates/db_schema/src/aggregates/post_aggregates.rs

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    After an 1865 Sculpture by William Wetmore Story.

    In the ancient Greek tragedy by Euripides, Medea was the sorceress who assisted Jason in obtaining the Golden Fleece and later became his wife. When he abandoned her, Medea murdered their two children and planned the death of his new love, Creusa. To nineteenth-century theater audiences, Medea was a sympathetic character forced to choose between relinquishing her children and protecting them by destroying them herself. Medea clenches her left hand in an attitude of smoldering tension, while tightly clutching the murder weapon, a dagger, in the other. Story deemphasized Medea's active revenge, leaving to the viewer's imagination the infanticide to come.

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