It's not that I don't get the appeal of having larger artwork. But the medium itself in the way it's used and produced doesn't make sense. The whole audio production pipeline is digital. Producers take analogue audio, introduce quantisation and digitisation errors immediately to be able to use their fancy computers to produce the music (which introduces even more errors due to all filters being digital) just to then dump that digital piece of sound into an analogue medium at the very end. Nothing is gained except the digital-analogue-conversion happens before creating the medium whereas with CDs you do it after reading from that medium. Which is a stupid idea, as dust and other issues will then mess with the result you're hearing.

Now, if you're a producer that actually uses an all-analogue workflow, ignore this, I don't mean you. You also have my deepest respect for enduring that pain. Please point me towards some records that actually did this though.

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[–] 6 points 1 week ago

I get the argument, especially in today's single heavy streaming nature. I also completely understand the digital to analog complaint. Cds are superior, but there is something about being present for those 4 or 5 tracks and flipping it over to hear the rest, I just stay more plugged in to it. I have always been an album listener. I appreciate the layout of tracks, the thought behind an overarching story, the flow of music from one track to another. A single is great, but in context to the rest of an album, it can be elevated even more. Physical ownership is awesome too, and if the apocalypse actually happens, vinyl can still be played without electricity.

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